jueves, 22 de diciembre de 2011

                                                  The Beggar´s Opera: First Production


It is well-known that the brilliance of the 18th century in England is not due to drama. Only two theatres, Drury Lane and Lincoln´s Inn Fields, laterly called Covent Garden, stand out during the first half of this century. These two theatres formed part of the history of the first production of The Beggar´s Opera on January 1728. When the author of this day, John Gay, brought his new ballad opera to Colley Cibber, manager of Drury Lane, this director rejected John Gay´s proposal. Soon after, the boss of Lincoln´s Inn Fields, John Rich, bought The Beggar´s Oppera, giving so the oportunity to perform it. It was the huge popularity of this performance that led Rich to build Covent Garden years later. Nowadays, it continues being ths most popular opera house in London. 



Gay´s opera was composed of ballads and tunes from popular music. Its 69 songs belong to a collection in verse of folksongs and melodies titled Wit and Mirth or Pills to Purge Melancholy, written by Thomas D´Urgly. Gay chose songs from this source, created his won lyrics to fit his opera , as well as borrowing tunes from some of his contemporary composers Eccles, Barret, Purcell, Clarke, and Handel. Further, he used tunes from English, Scotch and Irish folkstongs, belonging to different popular styles, from jigs to hymn.like tunes. Dr. Pepusch provided the overture and assisted in th orchestration of the opera. 



The original cast was as follows, in the order of mention in the first edition:
  • Peachum.......................Hippisley
  • Lockit..........................Hall
  • Macheath......................Walker
  • Filch............................Clark                                    
  • Jemmy Twitcher..............Bullock
  • Crookfinger'd Jack...........Houghton
  • Wat Dreary....................Smith
  • Robin of Bagshot.............Lacy
  • Nimming Ned.................Pit
  • Harry Padington..............Eaton
  • Mat of the Mint...............Spiller
  • Ben Budge....................Morgan
  • Beggar.........................Chapman
  • Player..........................Milward
  • Mrs. Peachum................Mrs. Martin
  • Polly Peachum................Miss Fenton
  • Lucy Lockit...................Mrs. Egleton
  • Diana Trapes..................Mrs. Martin
  • Mrs. Coaxer...................Mrs. Holliday
  • Dolly Trull.....................Mrs. Lacy
  • Mrs. Vixen....................Mrs. Rice
  • Betty Doxy....................Mrs. Rogers
  • Jenny Diver...................Mrs. Clarke
  • Mrs. Slammekin.............Mrs. Morgan
  • Suky Tawdry.................Mrs. Palin
  • Molly Brazen.................Mrs. Sallee 
As regard the reaction people had towards this first performance, it was very positive, especially for Mis Lavinia Fenton, who played the first Polly Peachum, as she became the "toast of the town." Continually, this actress received leters and poems from her admirers. When Miss Fenton stopped playing Polly, there was much competition for the part. These two headings exemplify the sensation at that time:



February 3, 1728
"This Week a Dramatick Entertainment has been exhibited at the Theatre in Lincoln's-Inn-Fields, entitled The Beggar's Opera, which has met with a general Applause, insomuch that the Waggs say it has made Rich very Gay, and probably will make Gay very Rich."
The reference to Rich above refers to John Rich, the manager of the Lincoln's Inn Fields theater.

February 17, 1728
"We hear that the British Opera, commonly called The Beggar's Opera, continues to be acted, at the Theatre in Lincoln's-Inn Fields with general Applause, to the great Mortification of the Performers and Admirers of the Outlandish Opera in the Haymarket."


(From the Craftsman)

martes, 22 de noviembre de 2011

'The Rape of the Lock': A Parody of Classical Epics.

              'The Rape of the Lock,' the masterly mock-epic poem in English, was written following the model of Boileau´s Le Lutrin, 'it is an exquisitely witty and balanced burlesque displaying the literary virtuosity, the perfection of poetic judgement, and the exquisite sense of artistic propriety' (The Victorian Web 1).
      This poem, adapting the form of heroic-couplets and invoking classical epic devices, acts as a satire on the pettinesses of the aristocracy´s life. It deforms moral values of polite society, criticizes the human pride and reveals an artifical community of calm and decorum, but where human feelings are ignored. Although these beings belong to a divine world, Pope represents them as vulnerable and fragile inhabitants.
      Using a humorous way, similar conventions and formulas as the classical epic employed, 'The Rape of the Lock' parodies the traditions of ancient history: the abduction of Helen of Troy becomes here the theft of a lock of hair; the gods are represented as minute sylphs and the description of Achilles´shield turns into a digression on one of Belinda´s petticoats.

                                                                         
      Examples of the epic conventions that Alexander Pope parodies are:
     >Invocation of the Muse: In ancient Greece and Rome, poets had always requested the muse to fire them with creative genius when they began long narrative poems or epics. In 'The Rape of the Lock,' Pope does not invoke a godess; instead, he invokes his friend, John Caryll (spelled Caryl) in the poem, who asked Pope to write a literary work focusing on an event, 'the stealing of a lock of hair,' that turned the members of two families into better enemies.
    >Division of the poem into Books or Cantos.

    >Descriptions of Soldiers Preparing for Battle: In 'The Illiad,' Homer describes the armor and weaponry of the great Achilles; Pope describes Belinda preparing herself with combs and pins - 'Puffs, powders, patches-.

    >Descriptions of Heroic Deeds: In 'The Illiad,' Homer describes the exploits of his heroes during the Trojan War, while Pope describes the exploits of Belinda and the Baron during a card game called Ombre, which involves three players and a deck of forty cards.

   >Account of a Great Sea Vogaye: In 'The Odyssey,' Ulysses travels the seas between Troy and Greece; in 'The Aeneid,' Aeneas travels the seas between Troy and Rome and in 'The Rape of the Lock,' Belinda travels up the Thames in a boat.

   >Participation of Deities or Spirits in the Action: Supernatural beings take part in the action, as in 'The Illiad,' 'The Odyssey,' 'The Aeneid,'...

                            

   >Presentation of Scenes in the Underworld: the Gnome Umbriel visits the Underworld.
 
----------------------------------------------------------------------------------
The Victorian Web. 2000. 6 Dec. 2011. http://www.victorianweb.org/previctorian/pope/rape.html

       

lunes, 24 de octubre de 2011

The hypocrysy of Oroonoko: when Oroonoko is a royal slave?

Oroonoko thinks he is a man who can do what he wants. But the real truth is that he is not as free as he thinks he is. He prefers not to fight against his family to maintain his position of power instead of rebelling against the king to get the love of Imoinda. If he loves Imoinda so much, why doesn´t he fight against his grandfather, who calls himself ‘feeble’? So, Oroonoko as a prince has any freedom to live his life. In the court, he must obey his grand-father:


· “He would give way to that hope (king´s old age)…”

· “…to make the old king fancy that the prince had no more interest in Imoinda, and had resigned her willingly to the pleasure of the king.”

· “…in the presence of the king, he showed a face not at all betraying his heart...”

However, when he is sold as a slave, he is treated as a true prince in the colony.

· Upon his arrival at the plantation, Caesar is received "more like a governor than a slave." 

· They recognize the prince who took most of them in battle and sold them into slavery, and now they kiss his feet and call him "king."

Such is his hypocrisy that he betrays those who treated him as a true prince: Imoinda killed, betrayed his grand-father meeting Imoinda at night and revolt against Trefy.

miércoles, 12 de octubre de 2011

Introduction

Perhaps some of you are surprised to see the name I have chosen for my blog. Who is Urania?         And,what the word mirror has to do here? These questions have very easy answers. 



                          


  • Firstly, Urania is known to be the protective and knowledgeable muse about the science of astronomy.  Urania was normally sculpted naked in marmol. So, this way I will undress my feelings as regards Romanticism.                           
  • Secondly, I have decided to choose the word mirror because as I think this blog will be a clear reflection of our feelings or reactions a novel causes us, and there is no better reflection of oneself a mirror produces.